Abstraction-Création

Abstraction-Création was an association of abstract artists founded in Paris in 1931 by artists such as Theo van Doesburg, Auguste Herbin, and Georges Vantongerloo, and henceforth, we will refer to it by its original French name, Abstraction-Création.

This group emerged in response to the growing interest in abstract art and the need to create a platform for mutual support and promotion for artists working in this trend. The association was formed as a reaction to the dissolution of earlier groups such as De Stijl and as an alternative to Surrealism, promoted by André Breton, which dominated the Parisian art scene of the time.

The movement was greatly inspired by the principles of Neoplasticism by Piet Mondrian and Theo van Doesburg, as well as Russian Constructivism, which emphasized geometry, simplicity, and purity of forms and colors. These movements influenced the direction taken by many of the artists in this group, who sought to eliminate any figurative or naturalistic references in their works.

The influence of Abstraction-Création extended over several decades and left a significant mark on the development of modern art. Movements such as Concrete Art and Minimalism owe much to the ideas promoted by this association. Artists like Max Bill, who was a member of the group, continued to develop the ideas of abstract art in their own practices, promoting an aesthetic of precision and visual clarity.

Among its most representative artists are Vasily Kandinsky, who is considered one of the pioneers of abstract art and a prominent member of the group. Also notable are Jean Arp, whose work in abstract sculpture and painting was fundamental to the development of modern art, and Sophie Taeuber-Arp, known for her interdisciplinary approach that spanned from painting to dance.

The legacy of Abstraction-Création is evident in the evolution of abstract art in the 20th century. Its influence is perceived in later movements such as Abstract Expressionism and Op Art, where the exploration of geometric forms and pure colors continued to be a central theme. The association also played a crucial role in the internationalization of abstract art, connecting artists from different countries and promoting a global dialogue about art and its evolution.